KONSEP KERINDUAN DALAM LAGU “KEPADA NOOR” KARYA PANJI SAKTI

Andhini Aulia Pertiwi; Nasywa Maulidina Zahra; Dimas Fajar; Moch. Wildan Khoerul Rasyid; Dadan Firdaus

Authors

Andhini Aulia Pertiwi UIN Sunan Gunung Djati Bandung Author
Nasywa Maulidina Zahra UIN Sunan Gunung Djati Bandung Author
Dimas Fajar UIN Sunan Gunung Djati Bandung Author
Moch. Wildan Khoerul Rasyid UIN Sunan Gunung Djati Bandung Author
Dadan Firdaus UIN Sunan Gunung Djati Bandung Author

Abstract

This study aims to analyze the representation of longing (syauq) in the lyrics of “Kepada Noor” by Panji Sakti from an Islamic Sufism perspective. This research employs a qualitative descriptive-analytical method using Ferdinand de Saussure’s semiotic theory. Data were collected from the song’s complete lyrics through verified sources. The findings reveal three dimensions of spiritual longing: longing as spiritual perseverance (maqam iradah) through the concept of tajalli; longing as a metaphysical journey parallel to suluk and musyahadah, where nature serves as a medium of divine signs; and longing as dhikr leading to fana’, where lyrical repetition structurally simulates Sufi ritual experience. This study concludes that “Kepada Noor” transcends romantic expression and functions as a spiritual narrative guiding listeners toward God. Future studies are encouraged to explore other contemporary songs through similar Sufi frameworks.

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